“With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings.

James Coignard (1925–2008) was born in Tours, France. Studies at Ecole des Arts Décoratifs in Nice led to a collaboration with Galerie Paul Hervieu and his artistic career took off.

James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works.

It was not until 2003 that we at Galleri GKM Siwert Bergström, took over the role of James Coignard’s representative. By then, however, we had already known one another for almost 20 years, and we have many treasured memories of our meetings. We recall our visits to his various studios, on the rue Martel in Paris, in La Boissière-École and later in Antibes. It was always such fun to be there and experience the playful way in which he coaxed forth his works of art with paints and a variety of materials. More often than not he would present us with a personally dedicated drawing or engraving before we left. That was the kind of person he was: generous to a fault.

James Coignard was an important artist, but also a warm, compassionate and big-hearted human being

Thomas & Karl-Johan Bergström